Newest Post

Archive for 2016

Hey guys, kanna here. This one is going to be relatively short. Final exams are coming up soon, and I'm not sure if I'll be able to get more Anime Mondays out before my final exams. I'll do my best, but I make no promises.

Let's talk about songs from musical anime. More specifically, my personal Top Ten from UtaPri.

First off, I'd like to start by saying that David Letterman makes this look so easy. Then again, he has a team of writers working for him who go out and survey people. Here at kanna's Cafe, it's all me. I have no one to talk to or bounce things off of. It's not like I can go to someone and say, "Hey, what do you think of this?" and they'll say, "Oh, I think...". No, it's all me. I don't mind, but these Top Ten lists are hard when you don't have anyone to talk to or survey for their opinions. Just saying.

This list is will have an honorable mentions section, and there are some songs that I like that won't be included in the list (just like my last Top Ten list).

Additionally, some of the song titles will be in Japanese. What I'll do is put the Japanese title with the English title in parentheses, as well as the name of the singer or group that sings each song.

Two last things: This list is also based off of what I could find on YouTube and DailyMotion. The songs that I couldn't find but wanted to include will be in the Honorable Mentions section. Lastly, if I couldn't find the full version of a song you wanted, just comment below, and I'll look for it on another site and post the link for the song.

Let's get started!

#10: 七色のコンパス (Seven-Colored Compass) - Maji LOVE 1000% - Tokiya Ichinose


This song is sung by Tokiya Ichinose in Uta no Prince-sama Maji LOVE 1000%. If you want to go by voice actor names, Tokiya's voice actor is Mamoru Miyano. This song was featured in episodes 1 and 7.

Why #10: I LOVE Mamoru Miyano. I'm a huge fan of his. But this song...just isn't one of my favorites from this season of UtaPri. Don't get me wrong, it sounds great (nothing less from Mamoru Miyano). But I feel that this just doesn't measure up to the other songs in the first season of UtaPri.

Speaking of the first season of UtaPri...

#9: マジLOVE1000% (Maji Love 1000%) - Maji LOVE 1000% - STARISH
Note: I'm pretty sure Maji means "serious" or "real," but I'm not 1000% (tee hee...1000%...and it's the name of the series...okay, bad joke) sure.


This song is sung by all the members of STARISH from the first season of UtaPri. In other words, this version was sung without Cecil, who (spoiler) doesn't join STARISH until the second season of the anime. We have Natsuki Shinomiya (Kishou Taniyama), Tokiya Ichinose (Mamoru Miyano), Ren Jinguji (Junichi Suwabe), Otoya Ittoki (Takuma Terashima), Syo Kurusu (Hiro Shimono) and Masato Hijirikawa (Kenichi Suzumura). I would have included the Rainbow version, which has all seven members, but that one sounds pretty much the same. The only difference is that Cecil is the one who introduces the song. Yeah. He only gets ONE LINE in the entire song. I understand why, but they couldn't have adapted the lyrics? Really?

Why #9: I wanted to put this higher on the list. Really, I did. But when you compare this to the songs from the other seasons that came out, I just felt that this song wasn't as good as the others. Not only that, but I feel that the lyrics are a little...lazy? I mean, each character literally names their character song in this song in the second half. It's like the writers couldn't think of anything and said, "Hey, let's just have them name their character songs. It doesn't matter how it fits in; we'll make it work!".

#8: マジLOVEレボリューションズ (Maji LOVE Revolutions) - Maji LOVE Revolutions - STARISH


This song, unlike "Maji Love 1000%" is sung by all the members of STARISH, plus Cecil, who joined STARISH in Maji Love 2000%. So our seven member group is finally complete. Cecil is voiced by Kosuke Toriumi.

Why #8: This song is actually pretty catchy, but they say "revolution" so many times, it makes you start thinking of that Beatles song, "Revolution." It's a good follow up to "Maji Love 2000%," which wasn't as catchy (actually, now that I think about it, "Maji Love 2000%" wasn't catchy at all). And as much as I want to put this higher on the list, the character songs from this season, as well as the other seasons, are better.

#7: 愛のREINCARNATION (Reincarnation of Love) - Maji LOVE 2000% - Cecil Aijima

First off, I'd like to point out that this IS NOT the full song. However, it might as well be, because we barely hear the beginning part. Seriously, the beginning part is super faint...anyway, this song is sung by Cecil before he became a member of STARISH. I wouldn't call it his character song (that's a different song that may or may not be on this list, we'll see), though.

Why #7: I'm...not that big of a fan of ballads. Some I like, some I don't. I'm pretty picky about it. But this ballad somehow found its way into my heart on the first listen. I can't explain it. Maybe it was the meaning of the lyrics, maybe it was Kosuke Toriumi's voice (I still don't get how he could sound so good on this song and so bad on "Mr. Sadistic Night"), I don't know. However, there are better ballads in the series, and that's why this gets the #7 spot.

#6: Crystal Time - Maji LOVE 2000% - Tokiya Ichinose

Why #6: This is a kinda-sorta ballad. I think. I'm not sure what genre of music it falls under, so I'm going with ballad. This song was better than Tokiya's other song, "Seven-Colored Compass," in my opinion. Mamoru Miyano has a great voice, and I feel like it was being underused in "Seven-Colored Compass." However, Tokiya has other songs where he really shines. In fact, the other song where he really gets to show his stuff is #5 on this list.

#5: Original Resonance - Maji LOVE Revolutions - Masato Hijirikawa and Tokiya Ichinose

Sorry for the lack of video, guys. Blame YouTube.

This song was part of a cross-unit project that paired up Masato and Tokiya in Maji LOVE Revolutions.

Why #5: This is where Tokiya really gets to show his stuff. Mamoru Miyano and Kenichi Suzumura (Masato's voice actor), really shine together here. Their voices match up and they sound amazing together. Masato's songs are great, and while this isn't individually sung by him, it is one of my favorite songs from the series that has Masato in it.

And speaking of Masato...

#4: Lasting Oneness - Maji LOVE Legend Star - Masato Hijirikawa and Kira Sumeragi

This song was sung as part of the duet project that STARISH and HEAVENS had to take part in. It was one of the few songs from this season that I actually liked.

Why #4: Again, Kenichi Suzumura's voice matches up perfectly well with Daisuke Ono (Kira Sumeragi's voice actor). And if you recognize Daisuke Ono's name, you might be just as shocked as I was to find out that he was also the voice of Sebastian in Black Butler. Who knew he could sing? I sure didn't. Anyway, I feel that out of all the members of STARISH, Kenichi Suzumura's voice is the most versatile. He can sing almost anything. However, this is #4, because Revolutions, 2000%, and 1000% have better songs. Like I said, this was one of the few songs from this season that I actually liked (so far...the other episodes haven't aired yet).

#3: HE★VENS GATE - Maji LOVE 2000% - HEAVENS (as a 3-member group)


As you probably guessed, this isn't the full song. And, as you probably guessed again, I couldn't have this list all be songs by the members of STARISH. This song is sung by HE★VENS before they became a seven member group.

Why #3: THIS SONG IS FREAKING EXPLOSIVE. I don't think I can stress that enough. It's a kinda-sorta-rock-ish song that just leaves you breathless by the end. The voice actors are perfect (again, who knew Daisuke Ono could sing?) and the lyrics have great meaning. This is better than the seven-member version (in my opinion). But there are two songs that top this one.

#2: ポワゾンKISS (Poison KISS) Uta no Prince-sama Maji LOVE 2000% - Quartet Night

Poison KISS (not the full version)

Why #2: It wouldn't feel right having this be all STARISH and HEAVENS. Quartet Night is my favorite group out of the three of them (STARISH, HEAVENS, Quartet Night). This song is actually our introduction to Quartet Night, and they sing it in the first episode of 2000%. The members of Quartet Night are Reiji Kotobuki (Morikubo Showtaro), Ai Mikaze (Aoi Shouta), Ranmaru Kurosaki (Tatsuhisa Suzuki), and Camus (Tomoaki Maeno). As far as introduction songs go, this one is probably my favorite.

Before we get to our #1 song, let's take a look at the honorable mentions. Please note I wasn't able to get the full versions for all the songs. Also note that the ones that have subtitles are subtitled in languages that aren't English. The important thing here is to listen to the songs and enjoy them.
And the #1 song from UtaPri is...

What, no drum roll? Seriously, guys? Do I have to do EVERYTHING myself? Fine. No drum roll. The #1 song from UtaPri is...


I would like to apologize once again for the lack of video. Blame YouTube.

Why #1: First off, I may or may not have a HUGE celebrity crush on the guy who sings this song, Shouta Aoi. Looks aside, his voice is AMAZING. As for the song itself, it grabs you right away from the beginning, and Shouta's voice keeps you hooked. The meaning behind the lyrics is great, too, and I feel like this is one of those songs that only Shouta could sing. I don't think any of the other voice actors from UtaPri could pull this off. Maybe Kenichi Suzumura, considering how versatile his voice is, but that's about it. 

My favorite line in the song is "翼が欲しかった 冷たいハートじゃなくそんなボクへと 君は羽根(うた)を…" which roughly means "I’d wished for wings, not a frozen heart You gave feathers of song to someone like me…". But that's not even the best part of the song. The chorus is FANTASTIC and Shouta's voice really shines at the end when he sings, "「ありがとう、傍にいてくれて…」," which means "Thank you for being by my side." I mean, that high note just...I can't even put it into words. It really allows Shouta's voice to shine, because his high notes are what he's known for (among other aspects of his voice).

Well, those are my top ten songs from all four seasons of UtaPri. If I didn't mention your favorite, I'm sorry. I'm curious as to what your favorite songs from all four seasons of UtaPri are, however, so leave a comment telling me what some of them are! 

As for which season has the best music...well...that's up for debate. Personally, I think it's a tie between Maji LOVE 1000% and Maji LOVE Revolutions. Guys who don't want to watch this anime but are curious about the music: listen to these songs. I think you'll really like "Only One" and "男気全開Go! Fight!!".  Like I said in my reviews of Maji LOVE 1000% and Maji LOVE 2000%, guys should at least check out the music.

EDIT 12/19/16: Now that the twelfth episode of UtaPri: Maji LOVE Legend Star has aired, I would like to add two more songs to the honorable mentions list. They are:

Anime Monday #31 - kanna's Top Ten Songs From UtaPri

Monday, December 12, 2016
Posted by kanna
Hey guys, kanna here. Well, after going through the excitement of episodes 39-43 of Pokémon XY&Z, it's time we wrapped up the series with episodes 44-47.

Not much really happens in episode 44, except for everyone rebuilding Lumiose City. Clemont fixes Clembot, but its memories are gone because he kinda-sorta died (see previous post). A challenger comes in, wanting to challenge the Lumiose City Gym and won't battle anyone but Clembot for a rematch. Despite the fact that Clembot needs assistance with battles, the challenge takes place and the challenger gets his Gym Badge. Yay...? This was basically a filler episode, I think.

The next episode is a Serena focused episode. If you remember the beginning of the series, Serena went on her journey because she didn't want to become a Rhyhorn racer like her mom, and decided to become a Pokémon Performer. To cheer up the citizens of Lumiose City, she decides to put on a showcase with her friend and rival, Shauna. Jessie, in disguise, also joins in the showcase.

After the showcase, Serena has thoughts about her path going forward and she doesn't know what to do. Her mom arrives in Lumiose City, and Serena spends the night at the hotel with her mom as she thinks about what she wants to do going forward. Her mom decided not to keep her at home to be a Rhyhorn racer, so Serena wasn't sure what she wanted to do going forward.

The day after, Serena's mom leaves. We then find out the paths that Shauna, Trevor, Tierno, and Sawyer have chosen, before Ash suggests to Serena that they have a battle: Pikachu vs. Braixen. During the battle, Serena comes to a decision. She calls Palermo, Kalos Queen Aria's manager (?), who had previously offered to take Serena under her wing and mentor her so she could become Kalos Queen.

Serena declines the offer and reveals to Palermo that she wants to go places other than the Kalos region and thinks that she would behave like a spoiled child if she went with Palermo. Palermo reveals that this was her intention and that Serena was the first person to turn down her invitation. Serena reveals that she has no destination in mind at the moment, but then Palermo suggests that she go to the Hoenn region, where they have Pokémon Contests, and show her Pokémon off there.

Serena reveals her plan to Ash and co., who wish her the best.

The next episode is definitely on the more emotional side of things.

Ash releases Numelgon--I mean Goodra--back to its home, the wetlands. It's a pretty emotional goodbye. Even little Dedenne is in tears over it. It really kind of sucks that they had to release Goodra, but I understand why they did it.

After leaving the wetlands, Greninja jumps out of its pokéball and suddenly, a vine...ivy...thing from when the mind controlled Zygarde attacked Lumiose City comes up from underground. Greninja manages to destroy it by becoming Ash-Greninja, but we then find out why the vines are still coming up. One of Team Flare's members, Xerosic (I have no idea what his name is in the English dub, but this is how the subs refer to him, so we're going with it), wants to revive Team Flare and re-obtain Zygarde's power to get the world Lysandre wanted. He kidnapped a few Zygarde cells, as well.

Clemont gets kidnapped and Ash has Greninja follow the van...truck...thing that has Clemont. Xerosic reveals his sinister plan: he wants to reform Team Flare by brainwashing humans, and Clemont will be his first "member." Clemont gives up and asks to wipe his glasses as a last request. This is granted.

Cut back to Serena, Ash, and Bonnie. Ash continues to see through Greninja's eyes what's going on, and it's basically a game of cat and mouse, until they finally manage to catch up with the truck...van...thing that can apparently fly and turn invisible. Greninja manages to get them on board, and they climb inside the thing.

They see Clemont, but Xerosic is there, as well. He orders Clemont to go after Ash and the others, before Clemont reveals that Xerosic's plan was a failure. When Clemont went to wipe his glasses, he attached a device that...you know what? It's basically techno-babble from here, so I'm just going to move on. Point is, Xerosic's plan didn't work.

Ash and Clemont battle against Xerosic, who loses in the end. He then decides to (I'm not kidding here), jump out of the plane without a parachute. But Clemont manages to catch him with the Aipom Arm (one of his inventions) and Xerosic is later arrested by Officer Jenny. All seems well and good, until another vine comes out of nowhere and is about to attack Bonnie. A green light slices through the object, cutting it in two. The smoke clears, and...it's Squishy!

Bonnie hugs Squishy, but now isn't the time for a happy reunion, as Squishy asks Greninja to come with it. Greninja follows Squishy, and Greninja is followed by Ash and co., where they see Zygarde in its 50% forme. Zygarde and Squishy use telepathy to explain that the vines...ivies...whatever that were coming up throughout Kalos originated from negative energy deep within the land. What Zygarde destroyed was only the surface.

However, the wound from the incident with Team Flare caused was deep, and Squishy and Zygarde's 50% forme have been wiping out the vines scattered throughout Kalos one by one. You'd think this is easy, right?

You'd be wrong. Very wrong indeed. Pinpointing the location of the negative energy is a difficult task, even for Zygarde, but for whatever reason, Gekkouga--I mean Greninja--is able to see the negative energy. Zygarde asks for Greninja's help, but everyone realizes that this means they'd have to say goodbye to Greninja.

Ash asks Greninja what it wants to do, but it's unspoken that Greninja wants to help Zygarde. They can't have another incident like the one Team Flare caused happen again. After some sentimental stuff about how their meeting might have been fate, Ash wonders if it all led up to this moment in time.

In the end, Greninja decides to go with Zygarde, and the two share a pretty emotional goodbye. I mean it. They hug and everything. It's not as sad as when Ash released Charizard to the Charicific Valley, but it's still pretty emotional.

Squishy tells Bonnie it might be a while before they see each other again, but Bonnie understands and says that when she becomes a Pokémon Trainer, she'll find Squishy and they'll go on another adventure together. Everyone says goodbye to Gekkouga--I mean Greninja--and we go on to the next (and final) episode.

In the last episode of the series, this is the one where everyone goes their separate ways. Serena is off to Hoenn to participate in Pokémon Contests, Clemont is going to stay in Kalos with Bonnie, and Ash is heading back to the Kanto region. The only one who hasn't quite come to terms with all these goodbyes is Dedenne, as it's still a young Pokémon.

When everyone gets to the airport, all the Pokémon say goodbye to each other, but Dedenne throws a fit and runs away. Bonnie explains that she feels the same way as Dedenne, but understands that everyone has their own dreams they want to follow and tells Dedenne that her dream is to become a Pokémon Trainer, with Dedenne as her partner. Dedenne jumps out of hiding and right into Bonnie's arms.

All right, so after that, it's time for Serena's flight to Hoenn. Everyone says their goodbyes to her, but Serena has one last request from Ash. She goes up the escalator that's going down, and (I'm not kidding here) kisses Ash.

Okay, to be fair, that was more implied if anything. But if you saw the looks on Clemont and Bonnie's faces afterwards, then you could be pretty sure that they kissed.

Serena then heads off to her flight, and everyone says their goodbyes. It seems as if Ash has a lot of time, since his flight isn't until the evening. So Clemont suggests they have a battle: Bunnelby vs. Pikachu. And...that's kind of where it ends.

We get this little montage of flashbacks and what the characters are doing currently (including Goodra and Greninja), before Ash finally arrives in his hometown.

Thoughts: I WAS NOT READY FOR THIS SERIES TO END.

Seriously. It was that good. The animation was great, the writing was excellent...I feel like I could go on and on about how amazing this series was. Both XY and XY&Z were fantastic. When the final episode aired and I saw it (granted, it hasn't aired in the US yet, so I saw it with English subtitles), I was almost in tears because I wasn't ready for it to end.

There were so many twists and turns. I didn't expect for Ash to release Greninja, let alone for the idea to even come up. This series was emotional, and you could connect with each of the characters on an emotional level.

Well, see you guys next time! ~k

Anime Monday #30 - Pokemon XY&Z Part 2

Monday, November 28, 2016
Posted by kanna
Hey guys, kanna here. Well, now that this season of Pokémon has concluded, it's time for me to give it what it deserves. Let's get started!


I'll be talking about the tail end of the series (episodes 39-47). Because this is so many episodes, I'm making this two parts. So this post will cover episodes 39-43, and the next will cover 44-47. Not that the rest of the series isn't important, but I feel that these last few episodes were the highlight of this season of Pokémon. Additionally, I'll be using the names of the characters and Pokémon that are used in the English dub and the games. I feel it will make things less confusing. However, if I slip up, I slip up. I'll correct it.

So, after a long and intense battle against Alain in the final round of the Pokémon League, Ash lost (again). I have to ask: is it statistically impossible for this kid to win a Pokémon League? It seems like there's some mathematical formula the writers are following to make it so that he loses every single time. I just...ugh! Writers, sometimes you make no sense.

Anyway, after a long battle against Alain, these vines...ivies...whatever come out of nowhere and start destroying everything in sight. A Zygarde in its 50% forme

Zygarde 50% forme

created by merging Z-2 (one of the sentient cells to form Zygarde) along with other Zygarde cells

Zygarde Cell
Zygarde Core (this is Squishy)
wreaks havoc on Lumiose City as it's controlled by Team Flare. Squishy (aka Z-1) merges with other Zygarde cells to form Zygarde's 10% forme (I don't know why the spelling is the way it is), which takes the form of a large dog for some reason (don't ask; I don't get it, either. Also, sorry I can't put a picture...stupid Blogger).

Meanwhile, Ash gets kidnapped by Team Flare and he and Alain find out that Alain was being used by Team Flare's boss, Lysandre, the entire time. Lysandre tries to use the same energy that controlled Z-2 (aka Mega Evolution energy) to control the power of the Bond Phenomenon between Ash and Gekkouga--I mean Greninja (told you there would be slip ups). However, he fails in this, and Ash is set free thanks to the Bond Phenomenon between him and Gek--I mean Greninja. This is REALLY hard.

Ash and co. find out that Puni-chan--I mean Squishy...G-d this is hard--is actually Zygarde. Alain decides to join forces with Ash and fight Lysandre. However, just when things seem to be taking a turn for the worst, Malva (I might have her name wrong, but that's how I think it's spelled; in the Japanese version, it's Pachira), a member of Team Flare, turns against Lysandre. She didn't realize that he wanted to destroy the world, and wants to put her faith in Ash and Alain. So the fight becomes three on one.

Cut to Serena, Bonnie, and Clemont. They're fighting off Team Flare admins to regain control over the Lumiose Gym, when they're joined by Prof. Sycamore, Blaziken Mask, and Mega Blaziken. Bonnie goes after Squishy, because she can "sense" (I'm using that super loosely) Squishy is losing. Clemont leaves to go and take back his gym with Clembot, and the two manage to take the gym back, but not without great sacrifice.

Yep, Clembot sacrifices himself to destroy the machine controlling Z-2. While I'm sure there are a million other ways this could have been done, it was actually pretty sad for Clemont to sacrifice his invention. The two actually share a pretty emotional moment before Clemont is forced to push the button that will ultimately destroy Clembot.

Squishy tries to communicate with the mind-controlled Z-2, but Z-2 can't hear anything because of the mind control. Eventually, Squishy ends up transforming into Zygarde's 50% form, which looks like the Zygarde we all know and love. This is exactly what Team Flare wants. They brainwash Squishy, and both Z-2 and Squishy start wreaking havoc on Lumiose City.

Serena, Mairin, and Prof. Sycamore infiltrate the Team Flare Laboratory with the help of the Hoenn League Champion, Steven Stone and Team Rocket. They rescue Mairin's Harimaron--I mean Chespin--who is still asleep and glowing green. Well, that can't be a good thing.

Cut back to Bonnie, who has gone after the mind-controlled Squishy with Mega Blaziken and Blaziken Mask. Upon finding Squishy, she shouts at it and says stuff like "You don't really want to do these things, do you?"

Unfortunately, this doesn't work and Bonnie is nearly killed by an attack from Squishy, until she is saved by Blaziken Mask. She continues to try to reach Squishy, but ends up falling to her hands and knees in tears. In one last attempt, she sings Squishy's song, and through the power of love, is able to break Squishy's mind-control. I couldn't make that up if I tried.

OK, maybe it wasn't the power of love. But that's what I'm going with, because...I have no other explanation. They don't share a Bond Phenomenon like Ash and Greninja do, so I'm going with the whole "power of love" thing (as cheesy as it is).

For the record, it's probably going to be better in the original Japanese than the English dub. The English dub of episodes 42-47 haven't aired in the US yet.

Ash, Malva, and Alain defeat Lysandre, who says that this won't be the end of his plan, and he (I'm not kidding here) falls off the edge of Prism Tower. I really wonder how they're going to handle this in the English dub. I mean, it's not like they show people falling off of tall buildings to their untimely demise in kids shows. Right?

Um...following that, Ash and Alain go to Clemont at the Lumiose City Gym, as he grieves over the loss of Clembot. He regains his resolve and rejoins the fight. They all board this giant helicopter...thing.

We cut back to Serena, Mairin, Steven Stone, and Prof. Sycamore, who are trying to...I'm not really sure what, but there's this crystal in the room that emits the same energy as Mega Stones during Mega Evolution. Mairin's Chespin gets absorbed by the crystal, and it comes to life. Serena, Mairin, Steven Stone, and Prof. Sycamore manage to escape the laboratory, but the crystal transforms into a giant crystal Zygarde (the English subs from the original Japanese referred to this as a megalith. I'm not sure what they'll do in the English dub).

Meanwhile, Bonnie and Squishy encounter Z-2, who still has hatred towards humans after being mind-controlled and forced to wreak havoc on the city. Squishy urges Z-2 to give the humans a chance, so Z-2 joins Bonnie, Blaziken, and Blaziken Mask as it observes the humans' attempt to defeat Lysandre.

The giant crystal Zygarde starts heading to Anistar City, home of psychic Gym Leader Olympia, who issues a psychic call (don't ask). All hope seems lost until our heroes are reunited with the Kalos League Champion, Diantha, as well as the gym leaders. Everyone makes a pathway for Ash and Alain to get through so they can get inside the crystal Zygarde and get Mairin's Chespin out. They do, and everyone attacks the crystal Zygarde, just to make sure it's down for good.

Unfortunately, this doesn't work, as Lysandre survived the fall (no, I don't get it) and the device he wears around his wrist is what's controlling the crystal Zygarde. It continues to advance and attack, and ultimately knocks our heroes and everyone else to the ground. Blaziken Mask's identity is revealed to be Clemont and Bonnie's father.

Z-2 comes to the realization that there are good humans in the world and it needs to believe in them. So Z-2 and Squishy join together with every Zygarde cell in the world to form Zygarde's 100% forme (sorry for the lack of a picture...apparently Blogger will cooperate with some pictures and not with others). Zygarde defeats Lysandre. Rather, it kills Lysandre (I'm really not sure how they'll do this in the English dub), and Lumiose City is left to rebuild and ultimately start over.

Thoughts: I freaking loved these episodes. I was a little sad because this conflict meant that we were drawing close to the end of the series, and this is arguably one of the best series since the Diamond and Pearl era. I'm sorry, but Black and White sucked. This definitely made up for it. Diamond and Pearl was just okay, Black and White sucked, but XY and XY&Z were ultimately the best since Diamond and Pearl. 

The animation is fantastic, and while it does feel like the "Ash-Greninja Show," we see almost all the Pokémon helping out. The "bond phenomenon" is an interesting concept that had never been done before in Pokémon. While it isn't explained how it differs from Mega Evolution, other than the fact that it doesn't need a Mega Stone or a Key Stone, it's still an interesting concept that I wish the writers had delved a little deeper into.

Overall, these were some of the best episodes in all of XY and XY&Z. See you guys in part 2, where I talk about episodes 44-47.

Anime Monday #29 - Pokemon XY&Z: Part 1

Thursday, November 24, 2016
Posted by kanna
Hey guys, kanna here. And...

HAPPY HALLOWEEN!

I was originally going to have Pennywise (for those who don't know, Pennywise is the clown from It) greet you all with a happy Halloween, but in light of the clown incidents that have been going on here in the U.S. (no, I don't understand it), I decided not to. 

Well, it's Halloween, meaning I have to review a horror anime. But not only is it Halloween, it's the two year anniversary of Anime Mondays! So this review has to be special!

Today, we're talking about...well...a series where I'm only going to use its Japanese name. Why? Well...the word "jigoku" is Japanese for a word that could cause a lot of religious controversy, which is typically something I try to avoid (actually, I try to avoid causing any kind of controversy, but that's beside the point). But, I've decided to give in and review it anyway. Let's go!

Not much to say development wise, so we'll jump straight to the plot.

There is a website called...okay, you know what? I can't keep censoring the word by only using its Japanese name. It's just making me too confused. The word is...H**l. There. Happy? I censored it in a way where I can avoid religious controversy (I think).

Anyway, there is a rumor/legend of a website called H**l Correspondence, which can only be accessed at midnight. You type in someone's name, and a girl known as "H**l Girl" will take that person straight to H**l. 

However, according to the series (and I guess real life, if you believe in karma), to curse a person is to dig two graves. So, when the person who sent the other guy to H**l dies, they will go to H**l, as well.

This series doesn't really have a set order until the eighth episode of the first season. Each episode is basically the same: character has a problem caused by someone, they try to deal with it and can't, and use H**l Correspondence.

If only H**l Correspondence were that simple. When someone's name is typed in, the person who typed in their antagonist's name is taken to what is simply known as the Twilight Realm, where H**l Girl, Ai Enma, resides with her companions, Ren, Wanyuudo, Hone-Onna, Kikuri (we don't meet her until season 2) and Yamawaro (we don't meet him until season 3). 

The person receives a black straw doll with a red string tied around its neck. All the person has to do is pull the string, and their antagonist is taken straight to H**l. The decision of whether or not to pull the string rests with the person who typed in the name of their antagonist.

So, yeah. The series is pretty formulaic at first. 

Character A is being put through a literal H**l by Character B, Character A uses H**l Correspondence receives the doll, Character A debates whether or not to use it, something happens that ultimately makes Character A pull the string, and H**l Girl and her companions torment Character B, before H**l Girl ferries him/her to H**l. Things seemingly get better for Character A, who then receives a crest-shaped mark on their chest to serve as an eternal reminder of his/her decision and that when he/she dies, H**l Girl will ferry his/her soul to H**l, too.

It's not until the eighth episode of the first season where we meet people who try to interfere with H**l Girl, but we later learn that H**l Correspondence didn't just exist in modern times, but it has been around since before the internet was even invented. We learn more about Ai and that the cycle of hate isn't something that can be interfered with.

This is going to be one of my shorter reviews, because I don't have a ton of time on my hands right now, and the series itself is pretty formulaic.

Rating: 3/10

Why: THIS ISN'T SCARY! You'd think an anime about a girl who takes people's souls to H**l would be downright terrifying! Which it is...in the live action version. But we're talking about the anime in this, and in all three seasons, there is nothing scary that happens. Nothing.

Okay, correction. There is ONE KIND OF scary thing. Kikuri, who we meet in season 2, is actually kind of creepy. She's so childlike and so creepy at the same time, it's actually a little disturbing. We later find out (spoiler) she's actually a vessel for the god of H**l, who takes the form of a spider (I hate spiders...*shudders*). So there's one scene where (I couldn't make this up if I tried) Kikuri grows a third eye, her head falls right off of her body and grows spider legs and starts walking. I'll admit, that's kind of creepy.

Other than that, though, there is NOTHING scary in this anime. Now, you could argue and say that the torment that Ai and her companions put the antagonists of each episode through is kind of scary in the later seasons. And it is...to an extent. I feel like the creators of this anime are like most American horror movie makers: they're trying too hard to be scary.

The music is great, and possibly the only redeeming thing about this series to make its fear factor go up just a little bit. Each track sounds great and fits right in with the scene. I especially love this scene's music where Ai tells us that we will know her wrath. Believe it or not, this scene was actually a tad scarier in the English dub than the Japanese. But that might have just been the voice acting. For example (this is towards the end of the first season, so spoiler alert):



If you want to have a good scare, watch the live action version of this anime. Trust me, it's MUCH better than this, and it's actually scary. I mean, the third episode of the live action...well, don't listen to me talk about it. If you want a good scare for Halloween, watch the live action adaptation.

Happy Halloween! Anime Monday #28 - Jigoku Shoujo

Monday, October 31, 2016
Posted by kanna
Hey guys, kanna here. And welcome to your second Anime Monday of Halloween Month! I'm still looking for a good name for this, so suggestions are welcome. If nothing clicks, at least let me know (please).

Today's anime that we'll be taking a look at is a little bizarre, but that's to be expected for Halloween. We're looking at supernatural/horror anime this whole month. And this one is a little more on the supernatural side...with a few bits of creepiness thrown in. This is...Parasyte -the maxim-.


So, let's talk about development.

Parasyte -the maxim- started out as a sci-fi/horror manga series written and illustrated by Hitoshi Iwaaki. And...that's really all you need to know. The manga series was so popular that it got an anime adaptation produced by Madhouse, and that aired from October 9, 2014 to March 26, 2015. Again, pretty much all you need to know.

So, unfortunately, like Rosario + Vampire, this review is going to be on the shorter side of things. I know I promised a longer one, and I'll do my best to make it longer, but I make no promises.

Anyway, the series revolves around a high school student named Shinichi Izumi. He lives with his parents in a quiet neighborhood in Tokyo, and lives a normal, human life. He goes to school, has friends...things couldn't be more peaceful, right?

WRONG. If things were peaceful, we wouldn't have this series, would we?

One night, worm-like creatures known as parasites (by the way, don't ask about the spelling for this series, I have no idea why it's like that) come to Earth and start taking over the brains of most of the humans. One parasite tries to get into Shinichi's brain by entering through Shinichi's ear.

However, Shinichi is wearing headphones, so the parasite then tries entering by burrowing through Shinichi's right arm. Shinichi feels this, and manages to stop the parasite before it reaches his brain. This results in the parasite taking residence in Shinichi's right hand and both his brain and the parasite's being able to retain their own intellect and personality.

Shinichi has to learn how to coexist with the parasite that now resides in his body and has a mind of its own, so he names it Migi (the Japanese word for right--as in the direction). This causes several problems for Shinichi, however, because other parasites who have managed to successfully take over human brains realize that Shinichi's brain is still intact try to kill him and Migi.

Shinichi eventually feels compelled to fight against these other parasites with the help of Migi (who doesn't feel emotions...pretty much anything, so he just goes along with Shinichi because he doesn't really have a choice).

Much like a superhero with a secret identity, Shinichi has to come up with all kinds of excuses to explain his parasite-fighting. Eventually, he starts to form a somewhat-one-sided bond with Migi as the two fight off the parasites so that Shinichi isn't used as a lab experiment or anything like that.

Rating: um...wow, this one is actually really hard to give a proper rating. I guess I'd have to say 5/10, but that's not really a rating I'm proud of. Help?

Why: First off, it's Madhouse, so most of their anime series are hit or miss. And...while I feel like this was more on the miss side of things, it's not entirely Madhouse's fault.

Sure, the animation could be better in some areas, and the fight scenes are incredibly hard to follow, but most of the fault for why it's more of a miss than a hit lies with the overall storyline, which the anime adapted from the manga.

It's not that it's a bad storyline, it just...isn't executed well. I don't know why; it's a relatively simple storyline. I don't understand how they couldn't properly execute it. I mean, the idea of aliens taking over people's bodies has been used countless times in TV and movies (Invasion of the Body Snatchers, anyone?), so you'd think this would be an easy storyline to execute. But, no. It didn't carry over.

The story can't seem to decide what genre it wants to be: romance, sci-fi, horror...it's too confusing. The character development is all over the place. I just...it's hard to really describe what's wrong with this show, other than I consider it overrated.

I will say this, though. The opening, "Let Me Hear," by Fear, and Loathing in Las Vegas, is pretty awesome. It's their first (and I think only) song that's almost entirely in English, and while their English does need some work, it's an overall good effort, and I applaud them for trying. I didn't think I'd like the song, considering it's a heavy metal song, and I don't really like heavy metal. I don't hate it; it's just not my favorite genre and I'm kind of picky about it. The ending, "It's the Right Time," by Daichi Miura, was just okay. Not good, not bad, just okay.

Overall, if you're into psychological/sci-fi/kinda-sorta-horror thrillers, then this anime is for you. If not, I'd suggest checking out a different anime this month.

Sorry this was on the shorter side of things...I'll try to make my Anime Mondays for this month longer, promise!

Leave suggestions for next week's Anime Monday in the comments! It must be horror/supernatural! ~k

Anime Monday #27 - Parasyte -the maxim-

Sunday, October 16, 2016
Posted by kanna
Hey guys, kanna here. And welcome to Halloween-month! Um...ani-ween? Hallo-me? We really need to come up with a better name for this. I mean, the Nostalgia Critic has Nostalgia-ween, and that works, but I can't come up with anything for my Halloween-themed posts. Nothing sounds right. Suggestions? Hm...now that I think about it, nothing really works, so we'll just call this Halloween Anime Mondays (but that spells H.A.M...now I'm overthinking this).

Anyway, I thought I'd start the month off by reviewing something that's more of a comedy, but has monsters in it, so therefore, it counts for Halloween. Say hello to Rosario + Vampire.


Yeah. Because I can't seem to get out of the realm of vampires, except for those TWO ANIME MONDAYS about werewolves (Wolf Children) and card games (Yu-Gi-Oh: The Dark Side of Dimensions). Hopefully, next week, the vampires will be gone for good. Because these vampire anime reviews are energy draining (tee hee...draining...and it's about vampires...okay, bad joke).

So, where to start? Well, Rosario + Vampire originally started out as a manga written and illustrated by Akihisa Ikeda. Inspiration came from the manga series, Kaibutsu-kun (a monster manga series), as well as some works by the the warped mindset of Tim Burton, such as The Nightmare Before Christmas and Edward Scissorhands (not that those aren't great movies, and Tim Burton is a talented director, but some of his movies are a little messed up).

Like I said, this series is a little more on the comedic side of things. So I'll try to make this as funny as possible, but given my sense of humor, I make no promises.

The series revolves around a boy named Tsukune Aono, a middle school student who failed the exams to get into the local high schools. However, there was one school that he could get into, despite his bad grades: Yokai Academy. The twist: Yokai Academy is a school for monsters, and if a human comes into the picture, the penalty is death. So Tsukune has to keep his human identity under wraps.

The first person Tsukune meets is a vampire named Moka Akashiya, and through this meeting, he is convinced to stay. Moka wears a rosary around her neck that she can't remove herself, but if someone took it off, an "honest to goodness vampire" would come out. Tsukune also meets Kurumu Kurono (a succubus), Yukari Sendo (a witch), and Mizore Shirayuki (a snow fairy). They all become friends, and the girls fight over Tsukune.

There isn't really much of a summary to give, as the show is pretty formulaic. So this is going to be one of my shorter reviews, and we'll just skip right to the rating.

Rating: um...4/10

Why: The show is pretty formulaic. We have a monster of the week that has to be fought, so Tsukune takes off Moka's rosary. Tsukune shows his kindness and acceptance of the other monsters, and nothing of major importance really happens until the end of each season.

There is fan service, but it's geared more towards boys, and most girls (excluding the LGBTQ community) would feel pretty uncomfortable seeing all these up-skirt angles and Tsukune being a total pervert.

This series tries to pass off as a romance series, but the romance is actually sexual harassment. Don't believe me? Look at what someone on MyAnimeList had to say about it: Seven Anime That Pass Off Sexual Harassment as Romance. Rosario + Vampire is towards the bottom.

Additionally, there isn't really anything that defines the characters beyond their physical appearance. While they do have their own personality traits, these are all downplayed by all the fan service that the animators want to give the audience. It's really kind of annoying (but that could be just me, because I'm a straight female, and clearly not the target audience).

The few things that give this series its redemption are the different songs used for the opening and ending, which are all sung by Moka's voice actress, Nana Mizuki. The opening for the first season was "Cosmic Love," and the ending theme was "Dancing in the Velvet Moon." For the second season, the opening was "DISCOTHEQUE" and the ending was "Trinity Cross."

So...yeah. One of my shorter reviews, but the others will be longer (I hope).

Anime Monday #26 - Rosario + Vampire

Thursday, September 29, 2016
Posted by kanna
Hey guys, kanna here. Well, after a lot of thought and talk with my friends, who suggested I review Mushishi and Re:Zero, I decided to do my thoughts on the new Yu-Gi-Oh! movie, The Dark Side of Dimensions. Why? Well, there's two reasons for that.

1. Mushishi and Re:Zero aren't that short, and given it's mid-September and I'm dedicating October to horror/supernatural anime, I needed something short (or another top ten list).

2. October will be here before we know it, and my Halloween posts need to be ready and raring to go. Speaking of Halloween, what are you dressing up as (if you're dressing up at all)? I'm planning on going as a Ghostbuster!

So, here we go!




Hey guys, kanna here. Well, now that I'm all moved into my new dorm (I love it, by the way), I had some time on my hands to watch Mamoru Hosoda's Wolf Children.



So before we get to the movie, let's talk a little bit about Mamoru Hosoda. You might recognize his name from works such as The Girl Who Leapt Through Time and Summer Wars. He's a pretty good director and animator. Not as good as Miyazaki, but still pretty good. He was actually commissioned to direct Howl's Moving Castle, but left during the early production, so Miyazaki came out of retirement number-who's-even-counting-anymore to direct it.

Mamoru Hosoda started work at Toei Animation, before he left to work for Madhouse in 2005. He left Madhouse in 2011 and started his own animation studio, Studio Chizu. His couple of known works were the two movies in the Digimon Adventure series and the sixth film in the One Piece series, both of which were released in the early 2000s. 

He would later go on to animate and direct The Girl Who Leapt Through Time, Summer Wars, The Boy and the Beast, and today's movie, Wolf Children. Or, if you want to call it by its Japanese title, Wolf Children: Ame and Yuki.

So, let's get started!

The movie starts with a college student named Hana, who later falls in love with fellow student...we don't really get his name, come to think of it. I Googled it, and most of the sites I've read about the guy on refer to him as 'Ookami,' so that's what we'll call him. 

Anyway, Hana falls in love with Ookami, who eventually reveals a secret to her: he's a werewolf. Hana accepts him as he is, and later on, the two have two children: a boy who they name Ame, and a girl they name Yuki. Yuki is Ame's older sister.

All seems fine and good, and Hana accepts the fact that her children are half-human and half-wolf. Things seem great, until Ookami gets killed while out hunting for food for his family. So Hana is left to raise the two "wolf children" (they're called that because they're half-human, half-wolf) on her own.

Life as a single mother is difficult for Hana, especially because Ame and Yuki are so young and constantly shifting between their wolf forms and their human forms. Because of this, Hana has to hide them from the world, and even moves to the countryside to avoid social workers and prying neighbors.

This movie basically tells the story of how Hana struggles and eventually manages to raise two children who are "wolf children," while the two children discover their own paths. It also presents the argument of whether the children consider themselves as humans or as wolves.

I know this is a relatively short review, but it's hard to review this movie without giving too much away. So we're just going to jump to the rating.

Rating: 10/10

Why: First off, the animation is stellar. I wouldn't expect less from Mamoru Hosoda, and while the animation isn't necessarily as good as a Miyazaki film's animation, it's still really good.

This movie really takes the time to develop all of its characters, even the minor ones. This makes for a lot of emotional moments. I highly suggest having a box of tissues nearby when you watch this movie. You'll need it.

The movie allows a lot of room for us to watch Ame and Yuki grow up and discover their own paths. It's almost as if we (the audience) are Hana and are actually watching them grow up right in front of us. I felt everything the characters did, because they were given time to develop and the writing had lots of emotion.

The voice acting was great, too. I hadn't heard of most of the voice cast before, so it definitely was interesting to hear some new people (well, new to me). And, of course, what's a good movie without a good soundtrack? Each song fit the movie perfectly; nothing was out of place.

Sure, this might seem like a typical love story, or a story of a single mother. But I feel it's so much more than that. We have characters we can connect with on an emotional level and feel everything they feel. It's truly a masterpiece.

Well, I know it was short, but that's my review. Hope you enjoyed, and give me suggestions for Anime Mondays up until October! I'm dedicating the entire month of October to horror/supernatural anime for Halloween!

See you next Monday! ~k

Anime Monday #24 - Wolf Children

Sunday, September 11, 2016
Posted by kanna
Hey guys, kanna here. I know I promised Wolf Children this week, and rest assured, that is coming for the next Anime Monday. However, with me moving into my dorm in just under a week (the time just flies by, doesn't it?), I wanted to get a quick Anime Monday out. So, without further ado...

kanna's
TOP TEN
ANIME OPENINGS
ENDINGS
INSERTS
AND
BACKGROUND MUSIC

(could that title BE any bigger? hahaha...*ahem*)

My first Top Ten list! Yay! If this is well-received, I may do other Top Ten lists in the future. I'm open to requests, but this has to be well-received if you want other Top Ten lists.

This list WILL include the following:
  • stuff from English dubs and stuff from the original Japanese
  • stuff from anime I either haven't reviewed (yet) or won't review (ever)
  • stuff from anime I may have given a bad rating but liked the music
  • an honorable mentions section
This list WILL NOT include the following:
  • stuff from anime about music (i.e. UtaPri, Hibike! Euphonium, K-On!, AKB0048, Mermaid Melody Pichi Pichi Pitch, Love Live!, La Corda d'Oro, etc.)
    • Why: This post would be waaaaaaay too long if I did that and it would consist ENTIRELY of songs from those anime. I might save that for another post. We'll have to wait and see.
  • stuff by Joe Hisaishi
    • Why: As awesome as Joe Hisaishi's music is (if you don't know who he is, he composed the music for almost all - if not all - of Hayao Miyazaki's movies), I feel I can't give a review of his music justice. I'd be totally and completely biased and list all of his stuff, making this post too long (again).
  • my opinion of the animation sequence that goes with the song
    • Why: While the animation sequences may or may not be nice, this review is about music, not the animation sequences that go with it.
You know what an opening and an ending is (no explanation needed there), but perhaps you're wondering what an insert song is. Well, because this isn't in my glossary, I'll explain it here and put it in the glossary...eventually. I'm sure I'll get around to it. Probably.

An insert song is basically a song within the body of the anime that is given more attention than the background music. You hear it in one or two episodes (usually one, sometimes two, three on a rare occasion), and pretty often throughout a movie. I'll point it out to you when we get to one.

Note: Please keep in mind that this is in order of my personal opinion. I have NOT taken a general census to determine what everyone's favorite anime openings, endings, inserts, and background music are (as of right now, I think my audience is too small for that).

Note 2: This list is noninclusive. Meaning that some of my favorites may not be listed here, but they are still my favorites.

With that said, let's get started!

#10: Sailor Moon - English opening (no idea what the title is, but I think it's "She's the One Named Sailor Moon")


For most girls born in the 90s (not all, but most) who started watching anime in either the mid to late 90s or early 2000s, one of the first female-oriented anime we saw was Sailor Moon, Cardcaptors, Revolutionary Girl Utena, or others that I might not have mentioned. 

However, if you're a girl who lived in an English speaking country (or if you're a boy and you had a younger sister, who, at the time, forced you to watch Sailor Moon with her), and one of the first anime you saw was Sailor Moon, chances are they played this opening before every episode. And by G-d, was it catchy. Young girls (myself included) could often be heard singing this song at school, on the playground, at home...pretty much wherever. It got stuck in a lot of people's heads, and every week, most young girls would turn on the TV just to hear this song. It was pretty empowering and definitely set the tone for the anime.

Why #10: As catchy as this theme is, I feel that it doesn't hold up anymore. With the release of Sailor Moon Crystal, even though they use this theme as the opening for the English dub, I just feel that it's out of place. What I'm trying to say: what may have worked in the 90s doesn't really work now.

#9: Dragonball Z Movie 13: Wrath of the Dragon - Tapion's Theme (insert song) (it probably has a title, I just don't know what it is)


Let's take another trip down memory lane to the mid-2000s (or 1996, when the movie was released in Japan, if anyone who lived in Japan at the time is reading this). Dragonball Z: Wrath of the Dragon is one of my favorite movies out of the Dragonball Z movies that I've seen (I haven't seen all of them. One of these days, I'll have a Dragonball Z movie marathon - assuming I can find all of the movies online). While I won't go into a full on review of the movie (this post is about music from anime, not anime itself), I will talk about this insert song.

This song was played a number of times throughout the movie, and while there is a version that is sung, I prefer the instrumental and find the vocals too distracting. This song had a haunting melody that really seemed to fit Tapion's character in the movie, as well as the movie itself. It was a melody filled with mystery, suspense, and so much more. It's actually only somewhere between a few seconds to a minute long, but that amount of time is just enough to show that Tapion means business when he's fighting.

Unfortunately, this song wasn't featured in the English dub of the movie. Some guy played a different song (he actually learned ocarina for the movie), and they went with that instead. You can find English dubbed versions with this song edited in, but they're pitched due to copyright issues (or something). Additionally, you can find tons of covers of it on YouTube played on ocarina, recorder, piano, you name it. Personally, I prefer the piano covers (particularly this one: Tapion's theme - piano). I can actually play the right hand part on the piano, but I never learned the left hand part.

Why #9: As much as I could go on and on about how amazing this insert song is that's only somewhere between a few seconds and a minute (seriously, I could), I feel like most people have forgotten about this song. While I haven't forgotten about it (although that's probably because I've seen this movie at least ten times), the most recent comments on a lot of the videos I found were from a number of years ago. If you asked someone about Dragonball Z: Wrath of the Dragon today, chances are you wouldn't be able to find a lot of people who remember the song or the movie (I could be wrong about that, you never know).

#8: Fullmetal Alchemist - "Brothers/Bratja" (insert song) (please note that the second title is in Russian, which is a language I don't know and can't type in, so I typed the transliteration)

English version - "Brothers"


Russian version - "Bratja"

Ah, Fullmetal Alchemist. Where do I begin with you? Well, for starters, let's talk about the English version of the song. The English version is sung by legendary voice actor, Vic Mignogna (who's going to be at my local anime convention this year, yay!), and is probably one of my favorite insert songs from an English dub. It really sets the tone and not only talks about the general plot of the anime, but also shows how one brother is trying to ask for forgiveness from the other (if you want to know what for, watch the anime). It's really emotional and Vic Mignogna was truly the right person to sing the English version of the song. I don't think I could imagine the English version being sung by anyone else.

Now for the Russian version, "Bratja." This version is sung by Anastasia and Veronika Golovina. Keep in mind that I know next to zero Russian, so my opinion on this version is pretty limited. The two women have wonderful voices, and I think I actually like the Russian version more than I like the English version, even though the English version is sung by Vic Mignogna (who I'm a pretty big fan of). I just feel that the Russian version lends itself to the anime more and the way it's sung makes it sound more sad. Now, I don't know what exactly they're saying, because I don't know Russian, but I know I can safely say that both versions are great.

Why #8: To be honest, my reasons for putting this as #8 are pretty hard to explain. I'd have to compare and contrast the two versions, which I just did (sort of). I guess, if anything, I think this is more suited as an ending rather than an insert song.

#7: Zatch Bell - "Zatch Bell! Theme" (opening)


Only thirty seconds of pure awesomeness is all that's needed to give this seriously underrated anime the entrance it deserves. But, then I'd have to include all three of the Japanese openings, not to mention the endings, and you want me to have some variety and get to #1 sooner rather than later, right? -sigh-

This opening may only be thirty seconds, but it is pure awesomeness. It stuck around for all the episodes of the English dub (all 104 of them), despite the change in the animation sequence as it went from season to season. Sure, the lyrics seem a little Pokemon-esque, but it's pretty catchy and this song let you know who had the power in Zatch Bell.

Why #7: This song is ONLY 30 SECONDS LONG! I kinda wanted a little bit more. I mean, most anime openings are anywhere from a minute to two minutes, and sometimes a little over that (and those are only the ones that are TV-length). THIS IS JUST 30 SECONDS. The writers had to have more to say than just, "You know who's got the power." I mean, this is one of the cases where I actually prefer the Japanese openings over this one. Because the songwriters for those openings had a lot more to say.

#6: Tsubasa Chronicle - "You Are My Love" (insert song)


You didn't think I could have a music list and NOT include a song by the legendary anime composer, Yuki Kajiura, did you? If I didn't include her, this would be a pretty boring list.

This song is so beautiful, but so sad at the same time. It sets the tone for the characters and their struggles. We can see through this that our protagonist is trying hard to recover her memories of her loved ones and how much she misses them. It's beautiful perfection sung by Yui Makino and composed by Yuki Kajiura.

Why #6: This is a good song, it really is. However, as beautiful and sad as it is, it didn't really tug at my heartstrings like other songs from other anime. We'll get to those later.

Now we're really getting down to some of my top favorites, because here comes the top five!

#5: Naruto - "Sadness and Sorrow" (background music)


Dear freaking G-d, this has to be one of my favorite pieces of music from Naruto. While I can't necessarily call myself a fan of the anime, I love the music that goes with it, and this song is no exception. It's so beautiful and sad, it literally tugs at your heartstrings and gets you all emotional.

I love the use of the traditional Japanese instruments in this song. While I can't name every instrument that was used (I took a class on Asian music, so I should know this stuff, and I'm really angry with myself that I can't identify everything). It really gives it a unique, traditional spin. 

We're shown how ninja funerals (yeah...we first hear this song during a funeral. I probably should have mentioned that...) work and we can connect with the characters' emotions through this song. This is a song that, when covered, sounds good on almost any instrument. Take my friend's video, for example, where he covers the song on a Chinese flute:



Why #5: Don't get me wrong, this song is great. However, Naruto has better songs, and this one just seems to go on for too long. They could trim it down to about two minutes, maybe three or four, tops. But seven minutes? Just for one background song? I don't get it. I mean, maybe that's how long the scene was? I honestly don't remember.

#4: Naruto - "The Raising Fighting Spirit" (background music)


Again, can't call myself a fan of the anime, but if they could just shut off all the voices and have the soundtrack play, then I could call myself a fan of the anime. This song plays during most fight scenes, and it's freaking awesome. 

The use of traditional Japanese instruments is what gives this song its own unique style and allows it to sound different from other fight-themed songs in most anime. When you hear this song, it's empowering. If you hear this song and you're down about something, you want to pick yourself up, dust yourself off, and start over again. I think this is the ultimate motivational music.

Why #4: This song is better than "Sadness and Sorrow," for one (not to mention less depressing), but I feel that it's not as good as other songs from Naruto, such as "Naruto Main Theme." Sure, it gets you pumped up, and that's great, but like I said, it's not as good as some of the other songs from Naruto.

#3: Inuyasha - "Inuyasha Main Battle Theme" (background music)


Inuyasha was what launched me into the world of anime (well...that's if you don't count Pokemon, Yu-Gi-Oh, Digimon, Sailor Moon, Cardcaptors, etc., which I don't, because when I was little and watched those shows, I had no idea what anime was). I had to include SOMETHING from it on this list. It just wouldn't feel right if I didn't.

Sure, the openings and endings are great (most of them are; others, not so much), but what really got me addicted to this anime was the soundtrack. And as we all know, I am a sucker for a good soundtrack. This song really made you wonder what it meant to just give up, and it made you want to keep going ahead strong.

I love the flute solo towards the end of the song, and think it really adds something to the song as a whole. Kaoru Wada (the guy who composed the music for Inuyasha) is a genius, and I wish he got more recognition.

Why #3: While this is a FANTASTIC song, I can't help but feel it's not good enough to be #2 or #1. I can't really explain my reasons.

#2: Attack on Titan - "Crimson Bow and Arrow" (opening 1)



Yeah, you knew this was going to be on the list even before you read it. Why? Because this is the best music from all of Attack on Titan (okay, I will admit that the other opening is good and the songs from the anime movies are good, too). 

It's so cool how they mix German and Japanese together into the song, especially because German isn't even the lead singer's first language. I don't speak German (I know a few words here and there, but not enough to form coherent sentences), so I don't know what they're saying in the middle part of the song that's ENTIRELY in German. I looked at the English translation for the first part of the song, though, and it definitely sets the tone for the anime. It's unique in that it's not the type of music that can be played over anything else.

Why #2: It would have been too obvious if this was #1, and you guys know it. It's good, and Linked Horizon (the group who did the music for Attack on Titan) is AMAZING. This is a great song to get you pumped for whatever is about to happen next. But this song isn't good enough to be #1.

And now for a few honorable mentions before we get to #1. I'm only going to post these as bullet points to keep this looking somewhat concise. The links will be there; feel free to click on them.
And the #1 song is....what? No drum roll? Seriously, guys? Fine, I'll do it myself.

#1: Pokemon: The Movie 2000 - "Lugia's Song" (insert song)


Yeah, those of you Pokemon fans out there had to know this was coming. It wouldn't be a complete list without it. This is, by far, my absolute favorite insert song (could change over time, but it hasn't yet). It's a beautiful song, the orchestra fits in great, and the ocarina by itself is just wonderful. Just when you think an orchestra wouldn't fit in, it does.

This version of the song is actually BETTER than the original Japanese version. Don't get me wrong, they both sound great. This one just sounds...sadder, but more hopeful at the same time. It's beautiful, perfect, and sets the tone for the end of the movie. A quote from the movie is, "The Guardian shall arise to quell the fighting, but alone its song shall fail," and this definitely sets the mood.

I still get emotional when I hear this song, because Pokemon 2000 is my favorite Pokemon movie, because how much this reminds me of my childhood, and because it's just such a beautiful piece of music that only a genius could compose. If only I knew who this composing genius was...

Anyway, that's my Top Ten Anime Openings, Endings, Inserts, and Background Music! What are some of your favorite openings, endings, inserts, and background music? Leave them in the comments, and get ready for Anime Monday #24: Wolf Children! Bye for now! ~k
Hey guys, kanna here. Because my writer's mind has decided to torture me and keep me in the realm of vampires (oh, joy), we're going to keep the theme going with...Vampire Knight.


You guys are lucky I still have my sanity after Diabolik Lovers. I could barely make it through the first season, let alone start the second. And if the rumors of making a third season are true, then I pray for EVERYONE'S sanity.

A bit of background.

Vampire Knight started out as a manga series by Matsuri Hino. You might recognize her from...actually, that's all you'll recognize her from. Vampire Knight is the manga that she's known for. She's done other work, but none of it is well-known. Kind of sucks for her, don't you think?

Anyway, aside from being known from only one manga, this manga was so popular that an anime adaptation was in the works thanks to Studio Deen, who produced some pretty popular anime, such as Higurashi no Naku Koro ni and Rurouni Kenshin. This anime had two seasons: Vampire Knight and Vampire Knight: Guilty. I'll get to which season was better later and why, but for now, let's talk about the plot of the first season.

The story is set at Cross Academy, a fictional school split up into two divisions: the Day Class and the Night Class. The twist: the Day Class consists entirely of humans, and the Night Class consists entirely of vampires.

Now, I know what you're thinking. "How is this possible?" Well, the headmaster, Kaien Cross, believes that humans and vampires can coexist without vampires feeding on humans. However, the Day Class doesn't know the secret of the Night Class, so the headmaster assigned two "guardians" to keep the secret at Cross Academy.

Our first "guardian" is Yuki Cross, Headmaster Cross's adopted daughter, and the overall protagonist of the anime. Yuki has no memories of her past. In fact, her earliest memory is of a stormy night in winter when she was attacked by a rogue vampire and then saved by Kaname Kuran (more on him later). She later became Headmaster Cross's adopted daughter and became friends with Kaname and eventually developed feelings for him.

Our second "guardian" is Zero Kiryuu, the lone survivor of a vampire attack that killed his entire family. Zero was taken in by Headmaster Cross after being bitten by a pureblood (more on that later) vampire, Shizuka Hio, who also killed his family. Due to the attack, Zero hated vampires and did not trust them. He believed they were all just blood-sucking monsters and did not share the belief that Headmaster Cross and Yuki shared of vampires and humans being able to coexist. He is a childhood friend/brother of Yuki's and it has been shown that he has feelings for her and often gets jealous when Kaname is around.

The first season basically shows the struggles that take place between vampires and humans coexisting, along with the struggle of keeping the Night Class's secret from the Day Class. We also learn a little bit more about vampires and the different "levels," and we get a lot of character development on Zero Kiryuu. It's kind of like a "day in the life of..." season, with a few twists and turns scattered throughout.

The second season shows Yuki trying to discover more about her past and why it was hidden from her. We get a lot of character development on Yuki's end, and learn something really shocking about her towards the end of the season. I'm doing my best to keep this review spoiler-free, but I will explain a few things.

Let's start with the different "levels" of vampires. There are five "levels" of vampires, which vary according to the purity of their blood.

The highest level, or level A, is the pureblood vampires, and there aren't many of them. They're the strongest and most powerful vampires out there, and their blood is known to have many different properties, so it is sought after by weaker vampires.

They have no human blood in their family line, so to reproduce, they often intermarry to reproduce. For those of you who don't know what that means, it means that, for example, a brother will marry his sister so that they can keep the pureblood line pure, without a single trace of human blood. Disgusting, right? What sick mind would come up with this?

Additionally, a human bitten by a pureblood vampire will become a vampire.

Level B is the aristocrat vampires. They're the elite vampires with special abilities beyond normal vampires. They are also very powerful vampires, but are not as powerful as the purebloods, due to the small traces of human blood in their family lines. They also have super strength and speed.

Level C is just the commonplace vampires. They're not really that special and don't really make an appearance in the anime, so we're going to skip over them.

Levels D and E are the lowest levels. They are ex-humans who were bitten by pureblood vampires. While Level D vampires can be tamed by a vampire hunter, Level E stands for Level End, meaning that the end of that vampire's life is near and will be ended by the Hunter's Association.

We talked about Zero and Yuki already, so let's talk about Kaname. Kaname Kuran is a pureblood vampire, and as such, is in charge of the Night Class. He's the one who saved Yuki from the rogue vampire when she was young. He, too, has romantic feelings for Yuki.

So, rating: um...wow, this is tough. Let's just rate by season.

Vampire Knight: 8/10
Vampire Knight: Guilty: 5/10

Why (overall): This anime is actually pretty good, and the first season sets the second season up pretty well. The animation is great, as is the character development. There's comedy throughout thanks to Headmaster Cross, and the romance is actually somewhat believable. Keyword being somewhat. Why? Well, let's get back to what I said about pureblood vampires. It almost feels like their forcing the message of incest being okay (which it might be in some countries, I honestly don't know) down our throats.

As far as the characters go, this is basically the anime version of Twilight (minus the werewolves). Heck, this whole series is basically like this:

Yuki: Bella
Zero: Jacob (minus the werewolf bit)
Kaname: Edward

The only differences are that Yuki is a bigger dimwit than Bella (didn't think that was possible), Kaname is just a big abuser, and Zero isn't a werewolf.

What makes the series interesting is the different "levels" of vampires and the Vampire Hunters that are in the series. But that's all taken away from (and I'm going to spoil it here), the Team Kaname/Team Zero thing. Yuki chooses Team Kaname, decides to become a vampire, and we learn that not only is she a pureblood vampire, but she's Kaname's younger sister.

The music is probably the best part of the entire series. The openings for both seasons are sung by ON/OFF, and the endings for both seasons are sung by cellist and singer Kanon Wakeshima. The music videos for the songs are actually pretty cool to watch, too. I'd definitely check them out. The opening for Vampire Knight is "Two Beats and a Red Sin" (ふたつの鼓動と赤い罪), and the opening for Vampire Knight: Guilty is "Rinnie -Rondo-" (輪廻-ロンド-). The ending for Vampire Knight is "Still Doll," and the ending for Vampire Knight: Guilty is "Sand Castle" (砂のお城).

Well, that's my review of Vampire Knight and Vampire Knight: Guilty. I hope you enjoyed it, and look forward to Anime Monday #23, which will be...I have no idea. I'm considering Akatsuki no Yona, among a couple others, but we shall see.

ALSO: I'm moving into my dorm in a couple of weeks, and that entails a lot of packing. So, naturally, I might have to go on a short hiatus. Sorry!!!

Anime Monday #22 - Vampire Knight

Monday, August 15, 2016
Posted by kanna

// Copyright © kanna-chan's cafe //Anime-Note//Powered by Blogger // Designed by Johanes Djogan //